A Pair of

Giacometti-Style Table Lamps

Circa 1980s


Height: 39 inches (99 cm)         Width: 5 inches (13 cm)         Depth: 5 inches (13 cm)

 A pair of gold-tone table lamps after Giacometti in the form of a stylized man and woman.


Price: $9,500

A Pair of Modernistic Lamps

Smoked Lucite and Chrome with Decorative Threading

Circa 1980’s


Height: 29 in (74 cm)


A pair of vintage American table lamps, likely intended for a club or lounge, produced circa 1980s, with central chrome stems, surrounded by five smoked Lucite panels, joined by two circular supports to the top and bottom, surrounded by a layer of threading, forming abstract patterns when interwoven. Wiring and sockets to US standard, each requires a single mirror bulb. Good vintage condition, with some light corrosion and patina to the chrome stem.


Price: $2,800

French Art Deco

Champlevé Table Lamp

Enamel on Copper & Green Onyx on Marble Base

Ca. 1930

                This elegant French Art Deco (circa 1930) table lamp combines the simplicity and brevity of lines of the rectangular onyx & marble base with the complexity and sophistication of the pattern done in the famous French technique, Champlevé covering with the multi-color enamel pattern the four copper plates mounted in onyx around the perimeter of the base.


Height: 24 inches         Base Height: 9 3/8inches         Base width: 5 1/8 inches         Base depth: 5inches

Champlevé Enamel

                Champlevé is an enameling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncared portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enameled rather than raising the rest of the surface. The technique has been used since ancient times, though it is no longer among the most commonly used enameling techniques. Champlevé is suited to the covering of relatively large areas, and to figurative images, although it was first prominently used in Celtic art for geometric designs. In Romanesque art its potential was fully used, decorating caskets, plaques and vessels. Champlevé is distinguished from the technique of cloisonné enamel in which the troughs are created by soldering flat metal strips to the surface of the object. The difference between the techniques is analogous to the woodworking techniques of intarsia and marquetry. It differs from the basse-taille technique, which succeeded it in the highest quality Gothic work, in that the bottoms of the recesses for the enamel are rough, and so only opaque enamel colors are used. In basse-taille the recesses are modeled, and translucent enamels are used, for more subtle effects, as in the 14th century Parisian Royal Gold Cup.